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Pick the closest fit. Choosing one here reserves nothing and commits you to nothing — the route and the price are settled with the operator who runs it.

The Halls Under the Palace The ticketed halls on either side of the through-passage, read as what they were built to do — carry the imperial floor above them and level the ground under it — rather than as a shortcut between the water and the square. Roman layer Ticketed door Five Doors at the Cathedral The mausoleum precinct as it is actually sold: church, bell tower, baptistery, treasury and crypt are five separate doors with five separate tickets, and choosing between them is most of the decision. Roman layer Ticketed door Where the Roman Floor Actually Is The Palace read vertically rather than as a street plan: what the ground underfoot is resting on, which level of a Roman building each doorway belongs to, and where the later town sits inside the older one. Roman layer Architecture Salona, and the City Before the Palace The Roman city inland at Solin, walked as an archaeological site with its own managing museum, its own seasonal hours and its own way in — and set against the palace that outlasted it. Roman layer Beyond the walls Klis, and the Road Inland The fortress on the height inland, taken as the reason the ground below it was worth holding at all — a half-day that needs a bus, a ticket and a decision about the way back. Beyond the walls Timing matters Around the Cruise Window The Palace walked deliberately outside the hours the harbour fills it, built backwards from when ships berth and when they sail, with the one fixed midday fixture of the season named rather than walked into. Timing matters Inside the walls Shade, and the Hours Worth Giving Up A summer route planned around roofed ground and what stays cool underground, and around surrendering the middle of the day instead of arguing with it. Heat and shade Timing matters After the Free Tour Written for the reader standing where a free walk of the open, unticketed Palace has just finished, with the rest of the day in hand: which doors are within reach from that exact spot, and what a walk containing no admissions was never going to open. Timing matters Ticketed door The Harbour Side, Early The south front of the Palace read from the working port it faces, in the hours when the sailings rather than the sightseeing set the pace of the quay. Timing matters The port

Anything an operator should know in advance

Optional. Tick anything that applies — access, language, the heat and a fixed finish time are the four that change a route most here.

Someone in the party has limited mobility or uses a wheelchair A language other than English would suit the party better Children are walking too The midday heat is a real problem for the party — shade and roofed stops matter There is a ferry, a flight or a ship to be back on, so the finish time is fixed A stop that needs an admission ticket should be included

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